FILMED BY a TWO-PERSON TEAM
I’m proud to share and talk about each and every film I create.
What could be better than a well-told story?
What if that story is yours?
What if that story is yours?
Two-Camera Films
A second videographer means an extra set of eyes and another point of view.
While I’m capturing something happening on the right, my partner might be filming a beautiful moment unfolding on the left.
A second person always brings their own unique perspective to the project.
It’s not just about support or sharing the workload — it’s about added reliability and a lower chance of missing something important.
While I’m capturing something happening on the right, my partner might be filming a beautiful moment unfolding on the left.
A second person always brings their own unique perspective to the project.
It’s not just about support or sharing the workload — it’s about added reliability and a lower chance of missing something important.
Common Questions
About Films by Two
I work with a very small circle of freelancers who are just like me. It always takes me time to get used to someone new.
At every wedding, we continue to refine our ability to work as a team — to understand each other intuitively.
For better coordination, I use headsets so we stay connected throughout the day and operate as one unit.
A high level of organization is absolutely essential when filming weddings. It requires strong responsibility, discipline, and professionalism.
At every wedding, we continue to refine our ability to work as a team — to understand each other intuitively.
For better coordination, I use headsets so we stay connected throughout the day and operate as one unit.
A high level of organization is absolutely essential when filming weddings. It requires strong responsibility, discipline, and professionalism.
Peacefully and with full respect.
I often make new friends among photographers — some of them even go on to recommend us to their clients.
My goal is to create the most creative result possible while maintaining a comfortable and collaborative atmosphere on set.
Over the years, I’ve also built a small network of talented photographers whom I’m always happy to recommend, so there’s always the option to form a unified team.
I often make new friends among photographers — some of them even go on to recommend us to their clients.
My goal is to create the most creative result possible while maintaining a comfortable and collaborative atmosphere on set.
Over the years, I’ve also built a small network of talented photographers whom I’m always happy to recommend, so there’s always the option to form a unified team.
Not really. I still carefully select the most beautiful and meaningful shots and build the story around the words.
The structure of the story is usually similar — it includes scenes that set the atmosphere (to immerse the viewer in the context), their backstory — how it all began, about her, about him, the wedding itself, the vows, and so on.
The only difference is that in two- or three-camera shoots, I have a larger volume of footage to work with.
The structure of the story is usually similar — it includes scenes that set the atmosphere (to immerse the viewer in the context), their backstory — how it all began, about her, about him, the wedding itself, the vows, and so on.
The only difference is that in two- or three-camera shoots, I have a larger volume of footage to work with.
I arrive a bit early and unload my equipment, which I organize by purpose. If lighting is needed, I prefer to set it up in advance so that when it gets dark, all I have to do is switch it on. I also connect the audio setup ahead of time and discreetly place the tripod and second camera so they’re ready for the ceremony.
Then I head to the bride. I always find a moment and a beautiful setting to film her portraits — it’s my favorite part of the day. I truly believe every woman deserves a video where she looks like a goddess.
If the groom is getting ready nearby, I visit him as well. If not, I capture his portraits later during the photo session. I don’t focus too much on outfit details or the dressing process — I prefer to film natural, candid moments like the groom watching a game with his friends, playing pool, or jumping into a pool together. Then I’ll frame a few artistic portraits in great light. A masculine portrait, to me, is a special kind of art.
Throughout the day, I work in a documentary, observational style — especially leading up to the ceremony, where I film everything and everyone with minimal interruptions, often recording continuously. This approach continues into the evening.
I also love capturing spontaneous moments. If I see beautiful light or a striking setting, I’ll gently suggest the couple step into it for just a minute — no elaborate setup, just genuine emotion in the right atmosphere.
I actually prefer when the portrait session isn’t one long block in the middle of the day. Instead, I love splitting it into three shorter 20-minute sessions at different times. This allows us to capture a variety of moods and lighting throughout the day — and gives the couple space to enjoy their wedding without feeling like they’re on a film set.
Then I head to the bride. I always find a moment and a beautiful setting to film her portraits — it’s my favorite part of the day. I truly believe every woman deserves a video where she looks like a goddess.
If the groom is getting ready nearby, I visit him as well. If not, I capture his portraits later during the photo session. I don’t focus too much on outfit details or the dressing process — I prefer to film natural, candid moments like the groom watching a game with his friends, playing pool, or jumping into a pool together. Then I’ll frame a few artistic portraits in great light. A masculine portrait, to me, is a special kind of art.
Throughout the day, I work in a documentary, observational style — especially leading up to the ceremony, where I film everything and everyone with minimal interruptions, often recording continuously. This approach continues into the evening.
I also love capturing spontaneous moments. If I see beautiful light or a striking setting, I’ll gently suggest the couple step into it for just a minute — no elaborate setup, just genuine emotion in the right atmosphere.
I actually prefer when the portrait session isn’t one long block in the middle of the day. Instead, I love splitting it into three shorter 20-minute sessions at different times. This allows us to capture a variety of moods and lighting throughout the day — and gives the couple space to enjoy their wedding without feeling like they’re on a film set.
Stills
Modern cameras make it possible to pull high-quality still frames from video — often in stunning 4K resolution.
Sometimes, these frame grabs turn out to be incredibly compelling.
There are event formats where this can be more than enough — like intimate weddings or celebrations where video is the couple’s top priority, but they’d still like to have a few static images to keep for the memory.
This service is available as an add-on.
For that price, I’ll curate a collection of frame grabs from your film and create a beautiful online gallery for you.
Sometimes, these frame grabs turn out to be incredibly compelling.
There are event formats where this can be more than enough — like intimate weddings or celebrations where video is the couple’s top priority, but they’d still like to have a few static images to keep for the memory.
This service is available as an add-on.
For that price, I’ll curate a collection of frame grabs from your film and create a beautiful online gallery for you.
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